So, perhaps “whimsy” is not the first word that comes to mind when we think of Goethe’s—or Massenet’s—tragic and melancholy Werther.
But just for a little fun today–and for a final post on Werther before moving on–I had to share (for those who haven’t seen it already) a video that my friends Viv and Christine shared with me. It is one of several wonderfully impromptu, behind-the-scenes videos of our tenor (on YouTube) made by Esti Esther. This particular one is filmed right before Werther’s final, tragic scene in the 2010 Paris production.
Now, Jonas Kaufmann happens to be one of the best actors in opera, giving 110% in passion to each role. Most of us would think that, like some Daniel Day-Lewis of the “method acting” school, Jonas might be behind the scenes absorbed in meditations on poetry and death before such a big finale.
Day-Lewis’s career is filled with stories like that of the preparation for the 1993 In the Name of the Father, when he chose to live in solitary confinement, and went several nights without sleep to prepare for an interrogation scene.
Yet, here Jonas is, just before the big tragic finale scene in Act IV…well, just have a look for yourself. No commentary is needed. And one doesn’t need to understand French:
I thought I’d share that last thought (for now) on this marvelous production of Werther, before moving on to Tosca. I hope you enjoy it.
I can’t help but think: if only our tragic hero took such delight in gummy bears, he might not have needed to borrow those guns from Albert.
Food for thought…