I know I’m not alone in feeling something of a constant, low-grade “depression” (not to be clinical about it, but for lack of a more accurate word) during what has been a uniquely difficult year for the world.
Countless fires in my home state, Oregon (or is it “Mordoregon”?) ~ one of which started at the north end of my own town, Ashland, this past Tuesday, and caused devastation in its northward path to neighboring towns ~ and all over the West, and the Covid-19 shutdown, and ineffective leadership, and racial injustice…all feel like an oppressive shadow obscuring any brightness in the world. Now, we hardly need more brooding words about the state of the world; rather, we need hope, joy, kindness, good works for our neighbors, beauty, and art. Sometimes it has been all some of us can do to just live, and pray, and work; some of my own opera listening and watching has fallen by the wayside. But it is a sad loss, if that’s too long the case. We’ve lifted up the neglected “essential workers” during this time of pandemic, and it’s beyond wonderful. Now, I feel more than ever how truly essential also are our artists, actors, musicians, and those who bring beauty into the world. I don’t intend to focus on anything but music and opera in this blog, but only to take a brief pause, to remind myself, if nothing else, not to neglect the beauty that we live for.
Speaking of those who bring beauty into the world, one of my opera heroes, Ildar Abdrazakov, has tested positive for Covid-19, and I hope and pray for his quick and full recovery, and for all of his family.
I am so curious as to how, and whether, the Don Carlos from the Wiener Staatsoper, with Ildar and Jonas, will continue as scheduled, in the midst of social distancing. But if does, I’ll be there…virtually!
Another bright spot during these times, for many, has been not only the nightly Met Opera stream, but the Met Stars Live in Concert series ~ and I’ve seen three of them so far, with Jonas, Renee Fleming, and Roberto Alagna and his wife, Aleksandra Kurzak, and so thoroughly enjoyed them all!
The latter, set on a platform above a beautiful Mediterranean vista, was so much fun, and particularly the duet from L’Elisir d’Amore, that I finally watched my first L’Elisir! I can’t believe I hadn’t seen one yet. It was a subtitled 1997 version from Lyon, with a very young Roberto Alagna ~ whose Nemorino was very reminiscent of a clumsy, adorable, hapless Charlie Chaplin ~ and Angela Gheorghiu. The whole cast did a lovely job, and the two leads were so delightful.
If anyone else has beautiful, inspiring, or just downright funny and delightful operas to recommend, I’d love to hear them! Meanwhile, here’s a virtual toast to art, opera, opera friendships, and laughter! And prayers for all of our beloved artists worldwide, and for our suffering world.
Dear Ildar, please rest and recover!