Mixed feelings, and general malaise, about the new Met season (Or: Where is Jonas? John Relyea? Stefan? Rene?)

Speaking of “malaise,” the overworked pace of 2018 kept me on a restricted opera regimen–and, actually, a restricted regimen of any life outside of work!–and I regretted having missed most of the Met’s HDs and radio broadcasts and many of the other broadcasts I would love to have seen and heard. (I’ve generally been MIA from my favorite opera groups online. I miss my dear opera pals so much!) However, things are looking up, and on this restful Sunday morning I’ve been spending time reviewing the recent announcements on the Met’s 2019-2020 season, both on stage (radio, for me!) and cinema.

Overall, nothing stands out in the way that La Fanciulla del West did this past season, with the return not only of this too-little-performed Puccini opera, but of Jonas Kaufmann. Nor have any of my long-term hopes been realized: another big HD role for John Relyea and Štefan Kocán–both of whom are notably absent from any Met performances in the coming season; nor my perhaps quixotic hope that the Met will one day put on a gloriously heartbreaking production of Don Quichotte with Ferruccio Furlanetto, capturing this iconic role in HD for the ages; nor yet the promised all-star Don Carlos in the 5-act French version. Nor do I see anything with King René Pape.

On a few underwhelming notes, what we do have are some of the standby, albeit beautiful Zeffirelli productions–La Bohème, Turandot. (Frankly, I was hoping that they wouldn’t HD the latter again until Jonas Kaufmann finally sings Calaf.) We have an Anna Netrebko feast, with her special concert, as well as the reprisal of her Lady Macbeth and Tosca roles. But we also have Marco Berti back, and Aleksandrs Antonenko.

But I’d rather stick to a few more exciting, positive highlights:

  1. To hear the great Luca Pisaroni‘s Guglielmo and Gerald Finley‘s Don Alfonso in Così fan tutte, although not an HD of the season, alas.
  2. The return of Sir Bryn Terfel, in Der Fliegende Holländer, conducted by Valery Gergiev in a new production.
  3. Stars such as Elīna Garanča, Bryan Hymel, and Ildar Abdrazakov in Berlioz’s Faust.
  4. Morris Robinson’s Sarastro, although the shorter, English Magic Flute.
  5. Diana Damrau and Jamie Barton in Maria Stuarda.
  6. Angel Blue and Eric Owens in Porgy and Bess.
  7. Luca Pisaroni again, as Figaro in the Nov/Dec Nozze.
  8. Luca Salsi as Germont in Feb/March La Traviata–though I’m not overall a huge fan of the opera–and Quinn Kelsey in the Jan/early-Feb performances.
  9. Kate Lindsey and Joyce DiDonato in Agrippina.

Other intriguing cast members: Peter Mattei and Tamara Mumford (Wozzeck); Roberto in Bohème; roles with Matthew Polenzani, Javier Camarena, and the great Željko Lučić.

I decided to write this after being informed about the announcement by my dear opera pal Gaby, but before getting back on my beloved opera groups, and I’m intrigued to hear others’ reactions. Similarly underwhelmed? Or perhaps intrigued and inspired? I’d like it to be contagious, if the latter.

In any case, here’s to a new season–not to mention, grateful for a lineup of fantastic performers–and, hopefully, pleasant surprises.

From the Golden West to New York City

I know it has been a long time since I have posted. The sadness after Dima’s death nearly a year ago, followed by a nearly relentlessly unpredictable and busy schedule at work, has made it difficult to finally piece together many different ideas and experiences I’ve been wanting to write about. Notes are scattered in many places, waiting to be utilized!

So this is, essentially, only a brief note about a wonderful four days in New York City ~ my first time ever ~ with, I hope, more details to follow. Merely dipping the toe back in the opera posting…and if you are facebook friends with me, this brief summary will be a repeat.

My mom Debra and I made our first ever pilgrimage to the Metropolitan Opera on the trip, starting out with Tosca with the stunning Sondra Radvanovsky, Željko Lučić, Patrick J. Carfizzi, and Joseph Calleja, and we were so delighted to be able to meet some of them after, with the aid of the indefatigable opera friend, Sophia Cerovsek. Tosca was a gorgeous production all around.

And of course the beautiful Fanciulla production which was captured and streamed live in HD yesterday…what can I say? Jonas, you broke my heart yet again…a perfect performance that I can’t wait to see again ~ with close-ups! ~ at the cinema encore this Wednesday night as I dash off from work. I was a wreck again in Acts I and III, moved mostly by the heartbreaking richness of his dark voice. Željko Lučić was a gorgeous Rance…so beautifully done. (I also can’t wait to see his close-ups because I adore watching his face.) Eva-Maria was absolutely fantastic, and the whole cast and production was strong all around…it was an unforgettable day.

But one of the most unforgettable things about this trip has been the opportunity to finally meet some of my dear, long-distance opera friends in person: Laura, Blake, Dash, Sophia, Peter, Joanna, and other friends from the lively Met Live In HD Fans group. It has been a true blessing, and is a large part of the huge joy that is opera obsession.

As I write on this final day in NYC, sleepy but happy, I am thinking with gratitude about all the wonderful friends near and far who share their joy of opera, and with huge gratitude to the artists who remind us why we work and live, and who bring such beauty into our lives.

It will be back to the usual work grind for me personally on Tuesday, but I have more determination than ever not to let work take over my life. Starting with Wednesday evening: nothing will induce me to stay late at work and miss the Fanciulla encore! 😁 Viva Puccini!! 🎶🎵👏👏💛💙💜💚💛 Bravi tutti!!!!!!!!!!!!

Save the Dates: October 7th/8th, 2016!

Friends of opera! We have three exciting arrivals next week…

October 7th will be a day for Kaufmanniacs.

No "ungrateful hearts" about this one!
No “ungrateful hearts” about this one!

First of all, we have Jonas’ new CD coming out! Dolce Vita (available for pre-order now) is a 67-minute tribute to Italian music, including the 1911 Neapolitan beauty, “Core ‘ngrato” (“Ungrateful heart”) by Salvatore Cardillo. (Of course, most Kaufmanniacs have watched—and rewatched—him sing this piece on YouTube. A friend of mine expressed her ultimate dream: of Jonas singing this to her in person! Right there with you…

Sigh.

Jonas + the French Revolution = perfection!
Jonas + the French Revolution = perfection!

As if that weren’t enough, we also have the DVD (or BluRay) of the 2015 Royal Opera House production of Giordano’s Andrea Chénier starring our tenor in the title role coming out the same day. Featuring Eva-Maria Westbroek and the wonderful Serbian baritone Željko Lučić and conducted by Antonio Pappano, Chénier is one not to be missed, and one of the first recorded operas I saw with our tenor after first encountering him. (And no, surely that’s not a poster of Jonas as Chénier hanging on my bedroom wall…? Oops, guilty.) The opera was free on YouTube, sans subtitles, when I saw it, but it required having a libretto handy, and hence missing too many Jonas moments! I think I need to remedy this. And yes, the DVD or BluRay is also available for pre-order on Amazon.

Of course, Giordano, and Jonas, had me blubbering like a baby by the end, in true Romantic Revolutionary style. (Now, imagine if it had been an opera of A Tale of Two Cities with our tenor as a certain tragic hero who shall not be named…I might not be alive today to tell the tale. It would simply be too much.)

Then, Saturday October 8th is the start of our new season of the Metropolitan Opera’s Live in HD cinema showings, beginning with Wagner’s Tristan und Isolde, conducted by Simon Rattle and starring Nina Stemme as Isolde, Stuart Skelton as Tristan, and the always glorious René Pape as King Marke. I am still new to Wagner, so this should be an interesting experience. A long Wagner on a Saturday morning sounds a bit intense, I admit…

Enjoy!