The night before last, I returned to Oregon a sleepier, more jet-lagged, but completely blissful, girl.
The long-planned “Don Carlos Adventure” consisted of one night in London–including a visit to the Royal Opera House–followed by four nights in Paris. The Paris days/nights included four operas: Così fan tutte, The Merry Widow (with opera Hero and my first “Rodrigo,” Thomas Hampson), and two performances of the French version of Verdi’s Don Carlos, with the cast of a lifetime, on the 19th and 22nd.
The Don Carlos is the one that my dear friend (and “mio Carlo”) Viv Hannides and I had been remotely planning for over a year—ever since we heard rumors that Jonas Kaufmann would be singing his first French Carlos in Paris this season. I started saving, and by the time tickets went on sale, we were ready. My own struggles—financially and otherwise—with a major work transition this year, and needing to close my 13.5 year old business, made the projected trip an uncertainty for a long time. Even when I finally landed the job I was hoping for (in July of this year), I didn’t know whether I’d be allowed a whole week off when I’d only have been working for them for three months. Thankfully, everything got sorted out, my amazing boss approved the time off, and we all managed what had seemed a nearly impossible dream…
I will write a separate post about Don Carlos as a production. Here, I will just share a few photo highlights of the trip that speak louder than words of the joy we experienced together. The “Three Little Maids” (which had originated as a joke, as the three of us get so Gilbert-and-Sullivan goofy about our opera Heroes, and “everything is a source of fun”!) include myself (“Rodrigo”), Viv Hannides (“Carlo”), and Maura Devine, our dear friend from Ireland who joined us in London. In Paris, Maura, Viv, and I shared a beautiful fifth floor apartment on the Boulevard Beaumarchais, about a 5-7 minute walk from the Opera Bastille.
During the trip, we met up with other amazing opera fanatics…Ursula from Ireland, Ilse from Vienna, Rosemary from Australia, Christine and Paul from France, and another dear Christine from England, dear Pam from England… What a joy.
Here is a brief photo tour of the days ~ most of the photos were taken by mio Carlo, Viv:
Day 1, Oct 17th: London. Viv came to meet me at the airport at 7am, with a “Mio Rodrigo” sign waiting! (I nearly had brought one in my carry-on, saying “Looking for Mio Carlo!”) We drove around that day, listening to Jonas, and talking. Later, Maura met us ~ as did, unexpectedly, our very dear friend Andrew Pycock!!! This was entirely a surprise, and I will never forget the shock of seeing him sitting by the ballerina statue near Covent Garden. The four of us shared a meal together before the three ladies went to see Les Vêpres Siciliennes at ROH with Erwin Schrott, Michael Volle, and Bryan Hymel. An excellent production! I wept at the beauty of the sound–particularly of the chorus and orchestra, and also Erwin’s massively powerful and beautiful voice–which hit us so strongly up in the amphitheater. Everyone was fantastic. One of Viv’s friends, who had a Grand Tier box, invited Viv and I to occupy the two empty seats in his box after the interval! What a treat. 🙂 The “three little maids” spent the night in two sweet rooms above a pub, before catching the Eurostar to Paris the following morning. A note: meeting Erwin Schrott after the opera was a real honor ~ which I nearly missed, as I was so shy about it that Viv had to drag me over to meet him. After which I managed to clumsily drop the program (which he had just signed) right at his feet.
Day 2, Oct 18th: To Paris. The Merry Widow (Bastille). It is a truth universally acknowledged that Paris is one of the most beautiful cities in the world. But previous to being there, I think I had imagined in my own mind that the mystique of it was likely overstated…but no. It truly is an overwhelmingly beautiful city…I might easily have taken a gorgeous photo at every street corner…
That night, we saw the delightful operetta The Merry Widow at the same opera house–the Bastille–where we would see Don Carlos the following night. Thomas Hampson led the cast, and the costumes and set were an absolute delight. We managed to get into the lobby beyond the security checkpoint to be the first to welcome one of our great Opera Heroes, Thomas Hampson, when he came out the stage door. He was so incredibly kind and gracious, and was even delighted to hear that I was from his neck of the woods, and asked about my town. The other “little maids” teased me about the progress in one day, as I managed to ask Thomas for a hug at the end! He kindly gave it to me 🙂
Day 3, Oct 19th: Paris. Don Carlos – #1 (Bastille). I have simply been processing the nights spent seeing Don Carlos. Even after the first night, I immediately knew that it was the best night of my life. More on this anon…
Afterwards, the three leading men, Jonas, Ildar, and Ludovic, didn’t come out to the stage door exit, alas, as they went out another way to go to an after-party. (This was the night of filming Carlos, so it was a well-deserved celebration!) However, we had the honor of meeting the two leading ladies, who are even more beautiful in person, Sonya Yoncheva and Elīna Garanča!!!
Day 4, Oct 20th: Paris. Recovery day. It is a good thing that we didn’t schedule an opera on the Friday after the emotionally-wrought Thursday night. We had been up until the wee hours of the morning, watching the recorded version of the opera that we had just seen in person–I know, we are hopeless!!–and drinking tea, and something stronger, and just talking about the whole experience and processing it. Another “healthy lunch” at a patisserie! (Viv downed the rum straight…which was intended for her cake! 😀 )
This day ended up being a walking day ~ and we walked by the Palais de Justice, the Conciergerie, the Louvre, the Seine, the Eiffel Tower…it was magic. (However, as I mentioned on facebook, none of the glorious sights were half as beautiful as my first glimpse of Jonas the night before, from the distant back stall seats!) We had drinks and “crisps” (another inside joke which Maura and Viv will well understand…) at a local restaurant. As we didn’t start walking until around 2pm that day, we didn’t catch a taxi home until about 9pm, followed by some purchases for our late dinner, and more opera listening and chatting until the wee hours of the morning…
Day 5, Oct 21st: Paris. Così fan tutte (Palais Garnier). What an experience it was simply to be at the glorious Palais Garnier opera house. Previous to this, we’d done a self-guided tour. To then have the honor of being able to see a production here as well was pure magic. The was an abstract and modern-dress production which incorporated a lot of modern dance. Though not my ultimate Così experience in terms of production, it was beautiful nonetheless, and we thoroughly enjoyed the experience. Our own little “after party” consisted of drinks at “Les Associés,” a bistro across the street from Bastille’s stage door where we’d hung out previously to discuss the productions. I think the “Operaettes”–plus our new friend Howard–were there until at least 1:30 in the morning. This was followed, of course, by a “three little maids” session of more tea and talking by the time we arrived back to our apartment! The only down-side of today was that I realized later that I’d lost my opera glasses (a.k.a. “Jonas goggles”) in the taxi coming from Palais Garnier…hèlas!
Day 6, Oct 22nd: Paris. Don Carlos #2 (Bastille). After a large brunch with 17–yes, 17!–opera and Jonas fanatics at the “Cafe des Anges” near the Bastille, we walked together to our final performance.
There are no words for the beauty of this production…yet, I will try to write about it. (More anon.)
Previous to the performance, however, Viv and Maura gave me a very beautiful gift: a new pair of “Jonas goggles”! After the performance, all of our makeup cried away, we dashed to the stage door, and were soon crushed in the adoring crowd. (Alas, the security guard kept kicking us out from our spot inside the barrier and made us get behind the security barrier like everyone else! 🙂 ) Nonetheless, in spite of the crush, it was such an honor to meet the three Opera Heroes who made us weep and sent us into ecstasies during the performance. Ildar even posted a video of the crush of the crowd at this performance. You can barely see the top of my head as the camera passes by, but there are clear shots of Viv, Maura, and Ilse!!
We had one final beautiful surprise before Viv and I had to dash back to grab our luggage from our friend’s hotel room before catching the last Eurostar back to London that night. My flight was to be the next morning from Gatwick, so the poignant Act IV arias of Rodrigue–where he sings that his “supreme day has come,” and that he and Carlos must say “farewell”–had Viv and I in a tidal wave of tears.
Don Carlo and the Seamstress 